Tokyo 1964. Bio Japanese, 1915–1997. Photographisch ist es seiner Zeit weit voraus und erinnert an vergleichbare Publikationen aus den 1960er Jahren. Description: The Yusaku Kamekura Design Award was established to honor achievements of the late Mr. Yusaku Kamekura, the first President of JAGDA, who had a continued influence on the designers’ community around the world, and to seek further development of graphic design. Keystone Features/Hulton Archive, via Getty Images. FREE SHIPPING WORLWIDE!! Keystone/Hulton Archive, via Getty Images. Devising the look of Tokyo ’64 fell to Yusaku Kamekura, the dean of Japanese graphic designers, who had imbibed modern design from the Bauhaus-trained professors of Tokyo’s Institute of New Architecture and Industrial Arts. Yusaku Kamekura, via The Museum of Modern Art, New York. Kamekura 16, Olympic Posters pl. A bullet train, between Tokyo and Osaka, was also among the infrastructure changes. Condition Details: (A) on linen. The new shinkansen, or bullet train, hurried between Tokyo and Osaka for the first time just one week before the opening ceremony. (102 x 56cm.) Inside the stadiums, the telephoto lens allowed Ishikawa to get stunning close-ups of the sprinters’ sweat and the swimmers’ gooseflesh, but just as often he shot nearly abstract sequences of fencers and cyclists blurred into streams of color. Arthur is a place to collect and discover art. Kamekura, Yusaku 1915 - 1997. Yusaku Kamekura. Description: The first logo for Tokyo 2020 was thrown out, on grounds of supposed plagiarism. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Hiroshima Appeals. © Yusaku Kamekura. Description: Yusaku Kamekura, via The Museum of Modern Art, New York The main ceremonies and athletic events took place at a nothing-special stadium that has since been demolished. (Actually, the “summer” Games were held in autumn; organizers thought October in Tokyo would be smarter than sweltering July.) English Text: Natori, Yonosuke 1910 - 1962 Tokyo Japanese commodities. Artists Joseph Barber, Alan Hepburn Jarvis, Gérard Ambrosetti, Larry Spencer Jungarrayi, and Sigi Ernst are of the same generation.. Further Biographical Context for Yusaku Kamekura Printer: Toppan Printing Co.. 40x21 1/2 inches, 101 1/2x55 cm. Artist: Yusaku Kamekura Title: Tokyo 1964 - Emblem Medium: Fine Art Giclee on Canvas Image Size: Approximately 32 inc... on Sep 07, 2020 Condition A-: creases and minor tears at edges; minor creases in image. All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues. TOKYO. Condition Details: (A-) was folded horiz., small edge tears, corner needle holes. Toppan Printing Co., Ltd., Tokyo. The first one, which became the logo of the games, is a strictly typographic exercise in which the red sun of the Japanese flag is harmoniously balanced atop the gold Olympic rings. Art Rickerby/The LIFE Picture Collection, via Getty Images. (107 x 73 cm) . The city got a new sewer system, a new port, two new subway lines, and serious pollution. VG-EX/EX to EX condition. Where past Olympics posters had relied on figurative, often explicitly Greco-Roman imagery, Kamekura distilled Tokyo’s ambitions to the simplest of emblems: the five interlocking rings, all gold, topped by a huge red disc, the rising sun. A Japanese graphic designer. Reshaping a city: An elevated expressway was constructed in the Akasaka-mitsuke section of Tokyo, ahead of the Olympics. In Hiroshima, Tange’s arcing concrete became a mausoleum for Japan’s darkest hour; in Tokyo, it enclosed a festival of new national life. x 28.75 in. Artist: Yusaku Kamekura Title: Tokyo 1964 - Emblem Medium: Fine Art Giclee on Canvas Image Size: Approximately 20 inc... on Jun 16, 2020 (102 x 74 cm)Printer: Toppan Co.. $1,168 - $1,752. Yusaku Kamekura is considered one of Japanese the representative greaters of the first generation of designers, having received diverse awardings in Japan and the exterior for its work. Overview. Gymnasts, in 1964, outside the newly-built Yoyogi National Gymnasium, designed by Kenzo Tange and constructed to house the aquatics and basketball competitions. The first stadium, too: Zaha Hadid’s initial design got dumped, and was replaced by a more serene and much less expensive wood stadium, designed by the architect Kengo Kuma. Description: Yusaku Kamekura was a visual artist. (107 x 73 cm). Im Karlsruher Virtuellen Katalog sind lediglich 6 Exemplare aufgeführt. We ship most items in this auction in house and gladly combine shipping if possible of multiple item. YUSAKU KAMEKURA (1915-1997) Auction Closed. Followers 17. Finden Sie Kunstwerke und Informationen zu Yusaku Kamekura (japanisch, 1915-1997) auf artnet. Slums, and their residents, were mercilessly cleared to make room for new construction, some of it grand — like the exquisite Hotel Okura, designed in 1962 by Yoshiro Taniguchi (father of the MoMA architect Yoshio Taniguchi) — and much forgettable. Artist: Kamekura, Yusaku 1915 - 1997. Size: 42.1 x 28.7 in. TOKYO. Follow. Here is a collection of posters by the father of Japanese graphic design, Yusaku Kamekura. Yusaku Kamekura (1915-1997) was one of Japan’s most prolific graphic designers. Printer: Kyodoh Prointing Co.. Offset 1982. 40x28 inches, 103x72 cm. Description: Printer: Toppan Printing Co., Japan. ), The 1964 Olympics were the first to be broadcast worldwide, via the first geostationary satellite for commercial use, and Japanese families with growing household budgets could even watch the Games in color. 1964. Nevertheless, the most enduring images from Tokyo ’64 appeared in the cinema, in the director Kon Ichikawa’s three-hour documentary “Tokyo Olympiad.” Shot in the wide CinemaScope format, in rich color, with newfangled telephoto lenses, “Tokyo Olympiad” is, by several lengths of the track, the greatest film ever made about the Olympics. Not for the sport, but for the stadium: Handball matches were to take place in the Yoyogi National Gymnasium, a landmark of Japanese modern architecture designed by Kenzo Tange. Lot 198: 2 Original 1980s Japanese Design Posters KAMEKURA. Technique: Offset 1970. Das seltene Buch wurde von Kamekura Yusaku (1915-1997) entworfen. 40 1/8 x 21 5/8" (102 x 55 cm). Birth Date: 1915. A landmark of Japanese modern architecture: Construction on the steel struts curving up to a concrete support tower at Yoyogi National Gymnasium, in March 1964. View all works. But Mr. Kuma, who attended the 1964 Games as a child, credits Tange’s swooping stadium as the trigger for his own architectural career. The preparations turned Tokyo into a citywide construction site. Reserve / Starting Price: 300. Description: x 28.75 in. Trolleys went out, elevated highways came in. Olympic Winter Games Sapporo - 72,5x103, 1970 (design) by Yusaku Kamekura (1915-1997). 40x28 inches, 103x72 cm. Description: Text by Yusaku Kamekura, 1962 Design 11 No. Condition A: minor creases at bottom. Starting his design career at the publishing company Nippon Kaupapu, Kamekura has more than half a decade of experience in the design world. Known as the “godfather of post … Lot 160: YUSAKU KAMEKURA (1915-1997). The Museum of Modern Art (MoMA), and 1 more. Offset 1967 . Those first Tokyo Olympics served as a debutante ball for democratic, postwar Japan, which reintroduced itself to the world not only through sport but also through design. SP, (slight water damage to lower section), silkscreen, both 28 x 40 inches, 1957 (2). Excellent condition. Expo ´70 - Progress and Harmony. International posters, approx. 1962. 1962. Description: Yusaku Kamekura. 1980, A-, Description: Paper. In 1964 Tange’s stadium hosted the swimming, diving and basketball events, and its marriage of brawn and dynamism broadcast more loudly than any other that Japan had been restored, even reborn. Kamekura, Yusaku 1915 - 1997. Condition Details: (A) on Japan, minimal creasing, added: -Beauty Salon- by Yamauchi, approx. Kamekura, Yusaku 1915 - 1997. Description: Yusaku Kamekura, born in 1915, played an important role in shaping the modern graphic design of J apan. 1980, A-, Condition Report: 59. The draping, plunging canopies inside the gymnasium. Yusaku Kamekura (1915-1997) THE RISING SUN AND THE OLYMPIC EMBLEM, TOKYO 1964 colour photogravure, 1961, printed by Toppan Printing Co., Ltd., condition A; not backed40 x 22in. Condition A-: creases and minor tears at edges; minor creases in image. second (and, for 1964, technically daunting) Olympics poster. Kamekura 16, Olympic Posters pl. Larry Burrows/The LIFE Picture Collection, via Getty Images. (A) on Japan, minimal creasing, added: -Beauty Salon- by Yamauchi, approx. Description: YUSAKU KAMEKURA (1915-1997) & OSAMU HAYASAKI (DATES UNKNOWN) TOKYO / OLYMPIC GAMES. The posters in Kamekura's Olympic series, "broke new ground by focusing on the psychological drama of individuals striving for personal goals in an 'actual' event. Description: YUSAKU KAMEKURA (1915-1997) & OSAMU HAYASAKI (DATES UNKNOWN) TOKYO / OLYMPIC GAMES. at the top, needle holes and tiny tears at the edgesEstimate: $500Reserve: $280. Obtained at the EXPO and brought home rolled. Paper. Biography/Work Experience (1915 - 1997) Yusaku Kamekura studied principles of constructivism at the Institute of New Architecture and Industrial Arts, Tokyo, a private institute established and run by Renshichiro Kawakita with the aim of introducing Bauhaus design theories in Japan. Kamekura’s poster didn’t just spurn western expectations of the “exotic” Orient for hard, clean modernity. Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations. Technique: Offset 1983. Condition Details: (A-) wf horiz., small edge tears, corner needle holes. He designed four posters for the games. Lot 240: Old 1964 Tokyo Olympic Games Poster Swimming, Lot 267: Original 1983 HIROSHIMA APPEALS Poster KAMEKURA Art, Lot 275: Poster by Yusaku Kamekura - Expo '70 Japan, Lot 304: Original 1960s Grahic Design Poster KAMEKURA Plakat, Lot 347: Poster by Yusaku Kamekura - Expo '70 Japan, Lot 378: Poster by Yusaku Kamekura - Olympic Winter Games Sapporo, Lot 404: Original 1970 Japan World´s Fair Expo Poster, Lot 536: Poster by Yusaku Kamekura - Expo '70 Japan, Lot 544: Poster by Yusaku Kamekura - Olympic Games Tokyo, Lot 593: Poster by Yusaku Kamekura - Olympic Games Tokyo 1964, Lot 605: Poster by Yusaku Kamekura - Expo '70 Japan, Lot 660: Poster by Yusaku Kamekura - Tokyo Olympic Games 1964, Lot 689: Original 1970 Japan World´s Fair Poster KAMEKURA Design, Lot 1279: Poster by Yusaku Kamekura - Tokyo Olympic Games 1964, Lot 26: Yusaku Kamekura (1915-1997), Lot 186: Yusaku Kamekura [Kami] (1915-1997), Lot 187: Yusaku Kamekura [Kami] (1915-1997), Lot 354: Yusaku Kamekura [Kami] (1915-1997), Lot 1102: Natori, Yonosuke 1910 - 1962 Tokyo Japanische. This weekend ought to have been the midway point of the Summer Olympics in Tokyo, which would have gathered the world’s leading runners, jumpers, throwers, lifters and — for the first time — skateboarders in the world’s most populous city. Kamekura also designed the posters when the Winter Olympics returned to Japan in 1972. Unframed, loose and not glued or mounted. Artist: Kamekura, Yusaku 1915 - 1997. Yusaku Kamekura (1915-1997) was one of the pioneers of Japanese graphic design who was at the forefront in promoting graphic design as an essential factor of modern society, culture and art, and whose achievements helped to establish the reputation of Japanese graphic design internationally. TOKYO 1964 lithograph in colours, 1964, printed by Toppan Printing Co., Tokyo, condition A; backed on linen 40 x 22in. Condition report is provided as an opinion only and is no guarantee as grading can be subjective. Artist: Kamekura, Yusaku 1915 - 1997. Japan Advertising Art Club exhibition, 1956 Sale Date: April 21, 2005. 1964. Estimate: 500. 1964. Museum of Modern Art (MoMA), and 1 more. This award was established with a grant from his bereaved family. Size: 42.1 x 28.7 in. (104 x 73cm.) Description: Description: He is probably best-known for his 1964 Tokyo Olympic Games posters as Japan was still culturally shaken from the aftermath of the WWII, and Kamekura was tasked with creating a successful poster campaign to propel his country into the post-war design elite. Graphis magazine. This rare book was designed by Kamekura Yusaku (1915-1997). Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Client Toppan Printing Co., Ltd, Makoto Saito Design Office Inc. Description: Condition report is provided as an opinion only and is no guarantee as grading can be subjective. In the Komazawa Olympic Park in Setagaya, a control tower designed by Yoshinobu Ashihara took the form of a 165-foot-tall concrete tree; it’s still standing, though its brutalist candor has been softened with a shellacking of white paint. Condition A. Dai Nippon Printing Co., Ltd. Condiiton B+: tears and creases at edges, some affecting image; creases in image. 1482.2000. XI OLYMPIC WINTER GAMES, SAPPORO'72 offset lithograph in colours, 1969, printed by Toppan Printing Co., Ltd., Japan, minor defects in the margins, otherwise generally in excellent condition 41 x 29in. Description: Size 39.7 x 28.7 in. Square quarto. Sign in to view your bids, favorites & more! Dai Nippon Printing Co., Ltd. A mere 6 copies of the work are listed in the Karlsruher Virtual Catalogue. Catalogue of a cooperation of the Kokusai Bunka Shinkokai (Society for International Cultural Relations), Tokyo, with the Association of German Arts, Berlin exhibition held in 1938. Kamekura also designed the posters when the Winter Olympics returned to Japan in 1972. Well-versed in Bauhaus principles, Kamekura melded typography and Modernist graphics of Europe with Japanese culture; he can be credited with introducing the Western World to Japanese poster art through designs published in Hurdlers compete, above, and the sprinter Yoshinori Sakai lights the caldron, below, at the 1964 Tokyo Olympics as seen in “Tokyo Olympiad.” A new 4K digital restoration of the 1965 documentary film, directed by Kon Ichikawa, is streaming on Criterion Channel. Printer: no information. Aug 25, 2016 - Explore Mickey Wong's board "Yusaku Kamekura" on Pinterest. Description: The architects and designers of the 1964 Games therefore had to satisfy a clear ideological goal: This was to be a showcase of New Japan, pacifist and forward-dawning, largely free of classical Japanese aesthetics or traditional national symbols. It might have been the most glamorous venue of this year’s Olympics, even though it was built more than half a century ago. Lot 205: YUSAKU KAMEKURA (1915-1997). (107 x 73 cm). Its tensile structure elaborates on Eero Saarinen’s recently completed hockey rink at Yale University, and, even more, the Philips Pavilion at the Brussels World’s Fair, designed in 1958 by his hero Le Corbusier. TOKYO / OLYMPIC GAMES. Account & Lists Account Returns & Orders. For the other posters, he used photography (for the first time, in Olympic posters) in a modern, dynamic way, depicting sprinters, a swimmer, and an athlete running with the torch at twilight. Has been stored rolled in closet and never framed or displayed. (A-) wf horiz., small edge tears, corner needle holes, Description: Few designers achieve more than a half century of professional longevitylet alone continue in that time to find new solutions and challenges in their work. But the President of the Japan Graphic Designers Association, Inc. (JAGDA) Yusaku Kamekura has accomplished this and more in his lifetime. Yet all around the Japanese capital is the legacy of another Olympics: the 1964 Summer Games, which crowned Tokyo’s 20-year transformation from a firebombed ruin to an ultramodern megalopolis. Unlike Leni Riefenstahl’s “Olympia,” which prefaced the Berlin Games with Aryan athlete-gods in Greek drag, “Tokyo Olympiad” plunges us into modernity from its opening sequence: a blazing white sun against a red sky — the Japanese flag, inverted — smash-cuts into a wrecking ball slamming into pylons. No Fuji, no cherry blossoms, and no calligraphy. And any expression of national pride had to be as distanced as possible from the old imperial militarism. TOKYO 1964. The content on this page is aggregated and is not affiliated with the artist. Description: This was the final of Kamekura's four Olympic posters. TOKYO. (The legacy of Hiroshima also suffused the opening ceremony, where the sprinter Yoshinori Sakai — born on Aug. 6, 1945, the day the first atom bomb fell — lit the caldron. Whether they happen in 2021 or not at all, the upcoming Tokyo Games will surely have a quieter cultural impact than their predecessor’s. Tokyo 1964/Olympic Games (2 works), 1964 Sale Date: April 21, 2005. Toppan Printing Co., Ltd. Years ago, biking through Yoyogi Park, I remember stopping dead before the gymnasium’s soldered roof panels, marveling at its canopies of steel. Yusaku Kamekura; Yusaku Kamekura Nationality: japanese. VINTAGE LIFE MAGAZINE COVER THE MIND PRINT The original ad was illustrated in 1979 by Yusaku Kamekura. A Great New 35. Your email address or password is incorrect. Artist: Kamekura, Yusaku 1915 - 1997. documenta. Condition details: (A-) was folded horiz., small edge tears, corner needle holes. Death Date: 1997. 1964. More quietly, the gymnasium nods to Tange’s most significant work up to this point: the cenotaph arch in Hiroshima, another curve of reinforced concrete. Kamekura was born in the Province of Niigata, in 1915. 40x21 inches, 102x55 cm. Condition Report: Designed by Kamekura, Hayasaki is credited for the photograph. Paper. This issue includes a feature on boat interior design and modernist furniture. 1964. From the outside, it looks like two misconjoined halves of a sliced pair, rendered in steel and concrete, though its real innovation was the roof. Yusaku Kamekura. 1962. Yusaku Kamekura. Collected by a major institution. Kamekura, Yusaku 1915 - 1997. The stadium is defined by its massive, plunging roof, formed from two catenaries — steel cables stretched between concrete pillars, like a suspension bridge — and the perpendicular ribs that sweep down from those axes to the floor. Condition Report: Erfahren Sie mehr zu Kunstwerken in Galerien, Auktionslosen, Kunstmessen, Events, Biografiedetails, News und vieles mehr von Yusaku Kamekura. Notable Works. Text in English and Japanese. Auction Closed. Included in a major biennial. YUSAKU KAMEKURA (1915-1997) & OSAMU HAYASAKI (DATES UNKNOWN) TOKYO. Condition Details: (A) on Japan, minimal creasing, added: -Beauty Salon- by Yamauchi, approx. Yusaku Kamekura’s design for the Olympic poster conveyed Tokyo’s ambitions: the five interlocking rings, topped by a huge red disc, the rising sun. The world’s elite athletes would have been in Tokyo right now if not for the coronavirus pandemic. The Language of Light (2 Posters). We see Tange’s stadium in mist, then the torch relay, and then crowds jostling to see the young foreigners arriving at Haneda Airport. Toppan Printing Co., Ltd., Tokyo. Offset 1970. Paper. Katalog einer in Zusammenarbeit der Kokusai Bunka Shinkokai (Gesellschaft für Internationale Kulturbeziehungen), Tokyo, mit dem Verein für Deutsches Kunstgewerbe, Berlin, veranstalteten Ausstellung im Jahr 1938. Measures 40.75 in. Tokyo: Kokusai Bunka Shinkokai, 1938. Kamekura sought to bring Japanese graphic design to the international scene with his unique blend of Bauhaus-influenced design mixed with traditional Japanese themes and aesthetics. Size: 40.1 x 29.1 in. Another view of the Yoyogi National Gymnasium shows the draping of its massive roof. Size: 39.7 x 28.7 in. Estimate: 400. (101 x 73 cm). Lithograph. Expo ´70 - Progress and Harmony for Mankind. ), Estimate: Condition B+: minor tears at edges; creases and abrasions in margins and image. Yusaku Kamekura 1970 EXPO Osaka, Japan original poster. All orders require 1 Business day for processing and ship via Express Delivery. But Ichikawa’s distillation of national ambition into abstract form was the hallmark of Tokyo ’64, and “Tokyo Olympiad” went on to become Japan’s biggest domestic box office success, a record that would stand for four decades. If Tange’s steel and concrete expressed Japanese ambitions in 1964, now it is natural materials that point to a vision of a future whose challenges are as much ecological as economic. Natori, Yonosuke 1910 - 1962 Tokyo Japanische Gebrauchsgegenstände. Born in 1915, Yusaku Kamekura passed away in 1997. He served as President of Japan Graphic … Provenance: Estate of an EXPO organizer. When his series for the 1964 Tokyo Olympics were published, they resonated throughout the graphic design community. Poster proposal for the Japanese World Expo '70 in Ōsaka, designed by Kamekura Yusaku, 1967. Size 40.5 x 28.3 in. Paper. and participating auction houses. Olympic Games Tokyo 1964 - 55x103, 1963, (design), on japan by Yusaku Kamekura (1915-1997), Description: This year handballers were to have faced off beneath its plunging canopies of steel. Toppan Printing Co., Ltd. Expo ´70 - Progress and Harmony. Tokyo & New York: Zokeisha & Alfred A. Knopf, 1959. Printer: Toppan Printing Co.. Tokyo had been awarded the Games once before; it was meant to host the canceled 1940 Olympics, succeeding the Nazi spectacle in Berlin in 1936. Description: Not in Olympic Poster. Kamekura 59, Brockmann p. 148, Olympic Posters pl. Yusaku Kamekura. Condition Report: Try Prime EN Hello, Sign in Account & Lists Sign in Account & Lists Orders Try Prime Cart. 1980, A-. Lot 162: YUSAKU KAMEKURA (1915-1997) & OSAMU HAYASAKI (DATES UNKNOWN). The photographic techniques it uses are far ahead of their time, and reminiscent of similar publications from the 1960s. 40 1/2x28 1/2 inches, 103x72 1/2 cm. All Rights Reserved. Expo ´70 - Progress and Harmony. The same bold aesthetic would also characterize Kamekura’s second (and, for 1964, technically daunting) Olympics poster, with a full-bleed, split-second photograph of runners against a black background. All He was a pioneer of graphic design in Japan, and founded the Japan Design Center in 1960. 60, Sportissimo p. 15, Weill 589. Has been stored rolled in closet and never framed or displayed. yusaku kamekura Hiroshima Appeals. Gift of the designer. © 1986-2020 Invaluable, LLC. Offset 1982. The torch runner was "chosen to epitomize the perfection and endurance of an Olympic athlete" (Olympic Posters p. 74) Olympic Posters pl. He designed four posters for the games; the first, which became the logo of the games, is a strictly typographic exercise, in which the red sun of the Japanese flag is harmoniously balanced atop the gold Olympic rings. Offset 1970 . Technique: Offset 1965. Toppan Printing Co., Ltd., Tokyo. When his series for the 1964 Tokyo Olympics was published, it resonated throughout the graphic design community. Lot 159: YUSAKU KAMEKURA (1915-1997) & OSAMU HAYASAKI (DATES UNKNOWN). Measures 40.75 in. (103 x 72 cm). SP, lithograph, 28 x 40 inches, 1990, Description: Kenzo Tange’s ambitious designs for Yoyogi Gymnasium: He developed new technology for reinforced concrete, and the building’s suspension roof was the world’s largest at the time. Condition Report: The Japanese Olympic Committee hated the film and commissioned another; nationalist boosters called it unpatriotic or worse. Copyright date of 1967 upper right, dated 1970 lower right. (101 x 73 cm). Kamekura can be credited with introducing the western World to thr Japanese poster through designs published in Graphis magazine. When they went half a century ago, they discovered a capital transformed by design. The Language of Light (2 Posters). Tokyo: Kokusai Bunka Shinkokai, 1938. Of graphic design in Japan, and founded the Japan design Center in.... To thr Japanese poster through designs published in Graphis magazine photographs or scans to assist determining! Aggregated and is not affiliated with the Artist local residents at the,... & OSAMU HAYASAKI ( DATES UNKNOWN ) Tokyo hated the film and commissioned another nationalist! And tiny tears at edges ; minor creases in image ship via Delivery!, hurried between Tokyo and Osaka for the first logo for Tokyo 2020 was thrown out, on grounds supposed! Now if not for the 1964 Tokyo Olympics was published, they a! And image, 102 1/4x55 1/4 cm since been demolished boosters called it or. In to view your bids, favorites & more Modern Art ( MoMA ) Estimate. In “ Tokyo Olympiad, ” but they share screen time with last-place finishers Toppan Co far of... Train, between Tokyo and Osaka for the first logo for Tokyo 2020 was thrown out, on grounds supposed. 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